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41° Experience, Barcelona

41° Experience

There is so much brilliance I can recall about this meal, but I have decided not to put all into writing. Lazy blogger, no. Necessity, yes. The “elements of surprise” are crucial, according to FAQ. When it was first launched, 41° Experience (or 41 Grados) by El Bulli-famed Ferran and Albert Adria was meant to be just a cocktail bar for the annexed Tickets. But it has morphed.. into a 16-seat, tasting-menu-only restaurant, most recently alleged as one of the most difficult to get reservations in the world.

Briefly. There is no reservation line. The booking is made via their website and partially requires payment. There are some drinks included in the €200-per-head tasting menu. You can order a separate alcoholic pairing at €45. Blah. Blah. The venue is a decent-sized bar space, dimmed and dark. There were more FOHs than diners. Above me was a nebula of eclectic images – a kind of modern pop art featuring disparate cultural items around the world – being played in slow motion. And soothing trance-like music..

Not so briefly. The fun at 41° Experience kicked off with a stubbornly square, neatly crafted “41°” ice cube which chilled a smoky liquid substance. Along came a jar containing drops of green olive, preserved in oil. Just your typical jar of olive – but the molecularised EL BULLI style. The liquid olive essence was entrapped in a gelatinous skin. Fragile, it rolled for an escape on the tongue and burst into a taste of what would have been like if I stuffed my mouth with 10 olives in one go. I have never made enough effort to be at El Bulli and I am – or was – never convinced by molecular gastronomy. BUT. That was some alchemy that I highly recommend.

Through my first 3-4 courses, I departed from Barcelona – the 41° latitude as the name of the restaurant portends- wandered through Italy, France, Russia, Asia and many more. Ferran and Albert Adria not only know so much about cuisines but also cultures, wherein lies humourous anecdotes and stereotypes. All these are re-interpreted into all the 41 dishes served at 41° Experience. Some were more successful than others. Some got me to physically interact and/or contemplate intellectually; others made me LAUGH OUT LOUD. (Something about France, of course. And Rene Redzepi might be on the menu). That said, as the concept of the menu relies very heavily on the elements of surprise, of not knowing what comes next and which country where you will end up, it is best not to do so much telling (or display any sharp and clear images). The cooking was exquisite but a complement to the concept. SO.. if you are a global character, know a lot about cuisines and cultures, you will be having a very good time at 41° Experience. If you are averse to internationalism, there is a high risk that you might not get the “jokes”, which are the best part of the meal.

Life-changing? No. But this meal reversed my eagerness in life and I felt happy, giggly.. as if I became a child again :-D

 

(Sorry. Can’t help not telling you of my most favourite dish – a re-constructed Peruvian “causa”. A thick slice of super fresh and

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firm yellowtail/hamachi marinated in lime, chilli and garlic was served nigiri-style on a velvety ball of spiced-infused mashed potatoes. The dish paid homage to the Japanese influences in Peruvian culinary tradition and taste-wise it was a bomb of citric umami).

PS Don’t hate me for doing this >_<

 

 

RATING: 5/5

41° EXPERIENCE

Avinguda Paral-lel, 164
08015, Barcelona
Spain

www.41grados.es


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Kinoshita, Sao Paulo

The Brazillian Japanese and “kappo”

Brazil is home to the largest Japanese population outside Japan, and along with the people come the food, the produce and myriad aspects of Japanese cultures. The district Liberdade in Sao Paulo has been established as a Japanese community “Japantown” since 1950s and authentic, quality Japanese restaurants can be found nearly everywhere in Sao Paulo. The only distinction, it seems, is that due to its tropical “one-season” climate Japanese cuisine in Brazil does not have the abundance of seasonal produce or is restricted by it.

While in Sao Paulo, I had a chance to try out a modern “kappo” restaurant called Kinoshita by Master Tsuyoshi Murakami.

What is “kappo”? “Kappo” – meaning “To Cook/Cut” – is a kind of personal dining where diners are seated, usually at a counter, behind which the chef decides his menu and prepares all the dishes. There is no prep kitchen elsewhere. The “kappo” menu is a hybrid between the keiseki or multi-course tasting haute cuisine and the izakaya or small portioned bar food. The erasure of the barrier(s) between the kitchen and the dining room encourages an intimate and lively exchange between chefs and diners.

At Kinoshita I was looked after by (very young-looking) sous chef Alex who inquired me of my likes and dislikes. In the end I opted for the “kappo” omakase (£102) which comprises of 9 dishes plus one dessert. Alex did most of the choosing. I was still given the liberty of requesting some dishes I fancied from the extensive A La Carte section to replace some of the intended tasting courses. (It might be helpful to note that the price ranges approximately between £8 to £27 per dish for A La Carte dishes). The meal commenced with an aphrodisiac shooter of fresh oysters, salmon roe, marinated nameko mushrooms and quail’s egg yolk. The vibrant freshness of the ingredients was enhanced by the gleaming yuzu-ponzu soy reduction. This was quickly followed by “Kai”, a dish of poached mussels with spicy miso sauce. The bean-y sweetness from the sauce, undercut by the refined pickle acidity from the cucumber ribbons, provided a body to the succulent mussels. I also liked the lingering tinkling sensation from the chilli infusion. Creamy bloc of duck foie gras was pressed together with traditional grilled eel Unagi and served with batons of granny smith apple and daikon cress Kaiware. The layering of sweetness – from the fatty foie gras to the juicy, meaty eel – was interesting but not groundbreaking. (Eel+foie+apple has been done before. I had a notable version at Martin B in San Sebastian). Enjoyable but I don’t think the apple provided enough acidity to cleanse the palate. The next dish was far more successful. Medallions of raw flounder and scallop were sandwiched together to create a horizontal stack of multi-textured sashimi – soft texture from flounder and springy from scallop. The construction was toppled with salmon roe and peppery daikon cress and finished with the citric ponzu-yuzu soy reduction. Maguro was prepared seared/tataki style and arrived with spicy miso sauce and quail egg. Like the sauce for the mussel dish, it was tasty; the yolk added unctuousness to it. That said, as a whole, with stringy, minimally roasted spring onions and toasted sesame seeds, the dish tasted rather sweet and undermined the first-rate tuna. The sashimi put the meal back on track. The two cuts of tuna were brilliantly fresh. The garnish of rosemary spring did leave an aromatic scent atypical for sashimi serving in Europe. Not a bad thing, though.

 




Rice and more

Interestingly, the meal gathered its momentum with rice and soy sauce. Alex insisted I try the sushi rice and the soy sauce by themselves, before revealing the care and thoughts that had been put into these creations. Starting with the soy sauce, the kitchen at Kinoshita makes their own soy sauce(s). This one, in particular, is only served with sushi. It is prepared by a meticulous balancing of kombu, dried bonito, mirin, sake and salt. A pale shade of brown and crystal clear, and after a small sip, it released a calm, rice-y sweetness and a very subtle hint of salt. The soy sauce that accompanied the sashimi prior to this claimed a lot heavier salt content. I moved onto the rice ball presented with a light touch of wasabi. The ball was explosive. The sushi rice here is prepared from the not-so-old, short-grained Japanese rice that are exported to and grown in California. The grains are quite sticky and gel together well. In other words, they do not require much pressure when being turned into a nigiri by the sushi chef, hence the air space between the grains, the lightness and the explosive-ness. To counter the soy sauce, the kitchen seasons the rice with a stronger dose of vinegar – almost reminiscent of rice for chirashi sushi. In this context, they work surprisingly well. The ethereal state of the rice and the pristine taste emboldened the pure flavour from the fish. After the rice came my nigiri platter of tuna, red snapper, mackerel, scallop and seared wagyu beef. Next was an expertly pan-seared wagyu beef fillet, which was described as a migrating piece of beef. That is, a 100% Japanese breed but born and raised in Brazilian clime. It arrived temptingly pink. The taste was on the pure side –

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not so much aged – and the texture very firm. The duo of Japanese dried chilli flakes and salt did their job well. The parade of savoury dishes concluded with a heart-warming bowl of Kakiage Don. Kakiage refers to a tempura technique of assembling various ingredients to be deep fried together at once. In my bowl there was an assortment of very fresh scallop and prawns with julienne root vegetables, drizzled with the syrupy teriyaki sauce. Sweet but toothsome. The miso boast a clarity of great stock, while the pickled Japanese cucumber tasted more purely compressed rather than with a vinegary tang. The gummy chocolate moji and the white (but very strong) coffee ice cream were such a pleasing way to end my meal.

 


RATING: 4/5

 

KINOSHITA

Rua Jacques Felix 405
Moema
Sao Paulo
Brazil

Tel. + 55 (11) 3849 6940

www.restaurantekinoshita.com.br